本書(shū)主要介紹了中國美術(shù)家協(xié)會(huì )副主席、廣西藝術(shù)學(xué)院院長(cháng)、我國當代著(zhù)名山水畫(huà)家、漓江畫(huà)派代表人物之一——黃格勝的人生經(jīng)歷和藝術(shù)成就。全書(shū)共分為四章,分別為:第一章 黃格勝藝術(shù)的存在背景、第二章 黃格勝藝術(shù)發(fā)展階段的分期研究、第三章 黃格勝藝術(shù)的形式語(yǔ)言風(fēng)格的形成和特點(diǎn)、第四章 黃格勝藝術(shù)的審美價(jià)值取向和文化定位,依次介紹了黃格勝的成長(cháng)經(jīng)歷、藝術(shù)作品及特色、藝術(shù)表現手法及特點(diǎn)、藝術(shù)風(fēng)格和人格魅力,旨在通過(guò)對其全面、系統、深入的個(gè)案分析,展現中國當代畫(huà)家的魅力,介紹漓江畫(huà)派的藝術(shù)特色。
作者:左劍虹,中國美術(shù)家協(xié)會(huì )會(huì )員?,F為廣西藝術(shù)學(xué)院漓江畫(huà)派學(xué)院院長(cháng)、教授、碩士生導師,漓江畫(huà)派促進(jìn)會(huì )常務(wù)理事、副秘書(shū)長(cháng),《漓江畫(huà)派》叢刊副主編,桂林致公畫(huà)院院長(cháng)。長(cháng)期致力于中國畫(huà)創(chuàng )作理論研究與實(shí)踐。著(zhù)有《創(chuàng )意圖形》(與羅鴻合著(zhù))、《中國當代美術(shù)家畫(huà)庫——左劍虹作品集》。
譯者:甄玉,英國桑德蘭大學(xué)畢業(yè)并獲得文學(xué)碩士學(xué)位,廣西藝術(shù)學(xué)院副教授,研究方向包括漢英翻譯、藝術(shù)理論與批評及中西美學(xué)研究。編寫(xiě)并出版教材《藝術(shù)專(zhuān)業(yè)英語(yǔ)》,出版譯著(zhù)《現代設計圖史》。
Introduction / 1
Chapter One Huang Gesheng’s Background / 1
Ⅰ.Struggling Through Early Life / 2
1 . His Formative Years / 2
2. Interests, Character and Family Influence / 21
3. The Moment that Changed His Fate / 30
4. A Visit to the United States / 39
Ⅱ . Academic Inheritance / 52
1 . Learning from a Master / 52
2. A Student from the South Helped by One from the North / 75
3. God Helps Those Who Help Themselves / 78
Ⅲ . Character, Language and Environment / 83
1 . Tenacity and Diligence / 86
2. Language of Art / 88
3. Environment / 94
Ⅳ. A Brief Look into Huang GeshengChronology Compared to Contemporary Artistic Events / 100
Ⅴ . Contemporary Chinese Cultural Context and HuangGesheng Artistic Position / 128
1 . Seventeen ̄Year Period and Cultural Revolution Artistic Contexts / 131
2. The Cultural Context of Fine Arts in the Early Period of the “ Open and
3. The Context of Fine Arts Within the 85’ Thoughts Movement / 142
4. Cultural and Artistic Context of the 1 990s / 144
5. Present Artistic Context and Huang Gesheng’s Contributions / 147
Chapter Two Huang Gesheng’s Works at Different Periods / 153
1 . The Cultural Revolution Period (1 973-1 979) / 156
2. Romantic and Magnificent Hundred Miles of the Li River and Others
(1 980-1 987) / 169
3. Maturation of His Style During the 1990s (1987-1997) / 201
4. Hundred Scenes of the Li River and Huang Gesheng’s Art Experience in
the 21st Century ( 1 997-2009) / 212
Chapter Three Definition and Characteristics of Huang Gesheng’s Artistic Style / 229
Ⅰ . Creating Artworks While Painting from Nature / 233
Ⅱ . Elements of Huang Gesheng’s Style / 243
1 . Foundation and Innovation / 243
2. Philosophy and Sensibility / 248
3. Methods / 256
4. Forms / 262
5. The Method of Creation / 267
Ⅲ . Painting Mode / 272
1 . On Stylized Shapes / 277
2. The Features of Brush and Ink Work / 288
3. The Features of Composition / 291
Chapter Four Huang Gesheng’s Aesthetic Value and Cultural Orientation / 303
1 . Open-mindedness, Vision, Achievement / 304
2. The Phenomenon and Spirit of Huang Gesheng / 325
3. Aesthetic and Culture Values of Huang Gesheng’s Artwork / 345
4. Contemporary Significance of Huang Gesheng’s Art / 359
Epilogue / 382
Translator’s Words / 384
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